foley artists

Ours is not a quiet household.  If anything, the baseline decibel level has increased in the last few months.  (The lassies may have something to do with this.)  In a typical day, the garden variety truck zooming, space ship blasting, and animal roaring to which we've grown accustomed co-mingle with the hum of the refrigerator and whir of the washing machine.  

In the movie industry, the people who recreate natural noises to add reality and depth to the soundtrack are known as foley artists.  I know this bit of trivia because I wrote a research paper on the movie production process when I was in high school at the pinnacle of my interest in film scores.  I fancied myself a future composer.  The one composition course I took as part of my music degree in college helped me reconcile with this not being God's path for my life.

Highly imaginative and truck-obsessed though he is, the elder lad hasn't historically been given to making sound effects to accompany his maneuvers.  (This is in keeping with his somewhat reserved nature.)  The younger lad has long been more likely to provide some vrooming, zooming, honking, beeping, and clicking noises to add reality to his generally more energetic play.  (He is, generally speaking, more expressive.)  They both, however, have lately taken to replicating a type of natural sound that is categorically- and stereotypically-speaking universally funny to boys age six (or so) and under.  I'd offer three guesses, but I bet only one is necessary for most people.

I can only imagine highly successful foley artists began their careers in a similar manner, and look at them now.  Their mothers must be so proud.